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                  <text>The Bookseller, Feb. 1, 1879. ____________________________________

Handbook of Drawing. By William Walker,
Ictur^ and Teacher of Free-hand Drawing in
Owens College, &amp;c. With upwards of 200 Woodcuts and Diagrams. (Seeley, Jackson, and Halliday.)—Everthing that a tyro in the art of drawing can reasonably ask for, in the way of oral
instruction, is provided in a useful little manual.
The drawing-master treats him as a creature
endowed with brains, as well as ambitious of
deftly handling the pencil and chalk. From one
thing to another, he leads him on ; from purely
technical rules and instructions, to the more
refined elements of the art, which everyone must
master who would pass from a mere dauber or
copyist to the higher sphere of an artist. When
the pupil has learnt to draw straight and curved
lines, and shade his surfaces so as to look as
like nature as he can make them, he is instructed
in the subtler secrets of proportion, symmetry,
and character in art work; in taste, style, and
“ motive ; ” a word which we gladly welcome as
naturalised at last in our art-language. Per­
spective also is sufficiently illustrated for the
purposes of free-hand drawing. The diagrams
are generally good. A little more graphic force,
and a little less conventionality, particularly in
examples of leafage and tree-drawing, would
make the illustrations really excellent.
Demonology and Devil Lore. By Moncure
D. Conway, M.A. Two Vols., with numerous
Illustrations. (Chatto and Windus.)—In a work
full of curious and recondite learning, the history
of demon worship is traced back to its rightful
origin, as the complement of the solar myth ; and
the offspring of the prevalent notion affirming
the existence of the dual and antagonistic
principles of Good and Evil in nature. Starting
from this point, the author,in great detail, discusses
the many forms assumed by the Devil of human
imagination in his sinister and deadly influences
inimical to mankind, as animals, serpents,
dragons, and what not. The mortal strife main­
tained between the Deity and the Demon under
various aspects is traced from one myth to
another, concluding with more modem manifes­
tations of a similar character, as in witchcraft,
sorcery, and the Faust and Mephisto legend.
We shall return to the subject when we can
command space more adequate to its vast im­
portance and engrossing interest.
The Dramatic Works of G. E. Lessing. Trans­
feted from the German.
Edited by Ernest
Bell, M.A. With a Short Memoir by Helen
Zimmern. Two Vols. (George Bell and Sons.)
—Lessing, the parent of modern German
thought, the master to whom Goethe, Schiller,
and many others looked up with imitative
Ireverence, is gradually making his way in
England, through recent translations of his
works and Mr. Sime’s Memoir. The more he
is known the better will he be appreciated.
Miss Zimmern has condensed into a few pages
the particulars of his life. Art and literature
were its predominant occupations. His treatise
on the Laocoon group established his reputation
as an art critic. The limits he drew between
painting and poetry have taken their place
among the canons of art which may be
regarded as axiomatic. A project for the

1 or .noiii
proves. The order of their composition, in
point of date, has been inverted, for no very
J Y397 on
it bus zsib
sufficient reason we think ; three tragedies and
B -haoaiq
a dramatic poem, “ Nathan the Wise,” preced­
|■ •ratal js :
ing the comedies, although composed at a later
1iiiolsO
period. “ Sara Sampson " and “ Emilia Galotti ”
Ikmsa n
among the tragedies, and “ Minna Von Barn­
helm ” as a comedy, will always hold their own
1 nwo trarl
I aqjsdiaq
as works of genuine art, although not perhaps
I sit ritiv
of the very first order; for, except with the
■ bus stcti
work of the Immortals, the lapse of time and
I tairrqoq
change of manners seriously affect the popular
I elttii sro
estimate of such things. But with some little
| e'gniazsJ
allowance made on this account, Lessing's
| nrarii lo
dramas are very readable. Several of them
now appear for the first time in English.
I sWjS.
The Englishman's Critical and Expository Bible
: .veil 9flj
Cyclopedia. Compiled and Written by the Rev.
A. R. Fausset, M.A., Rector of St. Cuthbert’s, , I.e'iisddJi
! labboH)
York, &amp;c. Illustrated by 600 Woodcuts. (Hodder
R lo iroiaivi
and Stoughton.)—In these days of the division of
I dona lo
literary, as of all other labour, a work of such
' ,naq algn
magnitude as this, emanating from a single pen,
E gni'isvsar
entitles its author to the praise of persevering
modal 9£
industry. It has cost him, he tells us, the labour
of seven years. His predominant idea in under- 1 I -labrm ni
I bairuml fl
taking it was to put Bible students, both learned
and unlearned, in possession of the fruits of 1 lo giirnl
aril efriJS’
modern criticism and research, as regards the
historical and other external features of Scrip­ l-qrio2 lo
J bus Isnh:
ture, while also conveying “ those doctrinal and
experimental truths which the written word it­ |-&gt;r biovz 1
self contains.” The results of the Palestine f enitaeisT
laristam
Exploration supplied him with fresh material
bus yriqsfor elucidating obscure points of topography and
.gedomea:
history. Egyptian and Assyrian researches,
-noo emo;
also, are not overlooked, nor the welcome con­
srit lo ya
firmation they afford to the accuracy of the
rfaflgnS ,1
sacred writers. Other commentators, English
and German, have been made available in clear­ ! -rselo ni 9
banistnoo
ing away difficulties. The information contained
ni .yllsoit!
in the Cyclopaedia is arranged alphabetically, in
sfllii ano'
pages of three columns, the numerous little
.ixst orii.
wood-engravings taking their place in the text.
aloihts dor
Scripture references are worked into each article
iHSitoqnii
as they are required; notices of more important
personages running into short biographies inter­ i-i91ni g9id
oiiosbib b
woven with reflections of a moral and didactic
bns Insia
character. Readers of Ultra-Protestant and
noitansfq:
Calvinistic views will appreciate the explanation
ynsm lo li
of doctrinal matters. In his treatment of many
controverted passages of Scripture, the author 1 Toriins ad
decidedly adopts the literal interpretation. The adT .noil
"'mirmnaili
reader may be interested to find the “Millennium
discussed as a future event; “ Antichrist and bus " tarn
“ Babylon ” are explained, in a somewhat obso­ ■-ogdo tariv
,dismal al
lete sense, as the Church of Rome. We remark,
with some surprise, the absence of “ Grace . as l as "aosiO
the title of a separate article. And in the article I aloiiis aril
.
on the “Holy Ghost,” His “procession” in ani "noiaas
eternity, from the Father and the „Son, is !Jai ,no2 a
strangely confused with His “ Mission to the J adl ol "n&lt;
Apostles after Christ’s Ascension.
Elizabeth Eden. A Novel in Three Volumes. By [ y8[ .sonuri
M. C. Bishop. (Low and Co.)—“ Love is too boot si 9V0,
strong to die. Elizabeth bowed her head on his S aid no hsoi
breast. She could not say anything definite in Fni ofinrteb
her sense of overpowering devotion to her I had ot no

ro,.

'&gt;

. -'S

r-.l 4-1-ia -• '_1e story _ of j to

-T-^-7

_

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                <text>Victorian Blogging</text>
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                <text>A collection of digitised nineteenth-century pamphlets from Conway Hall Library &amp;amp; Archives. This includes the Conway Tracts, Moncure Conway's personal pamphlet library; the Morris Tracts, donated to the library by Miss Morris in 1904; the National Secular Society's pamphlet library and others. The Conway Tracts were bound with additional ephemera, such as lecture programmes and handwritten notes.&lt;br /&gt;&lt;br /&gt;Please note that these digitised pamphlets have been edited to maximise the accuracy of the OCR, ensuring they are text searchable. If you would like to view un-edited, full-colour versions of any of our pamphlets, please email librarian@conwayhall.org.uk.&lt;br /&gt;&lt;br /&gt;&lt;span&gt;&lt;img src="http://www.heritagefund.org.uk/sites/default/files/media/attachments/TNLHLF_Colour_Logo_English_RGB_0_0.jpg" width="238" height="91" alt="TNLHLF_Colour_Logo_English_RGB_0_0.jpg" /&gt;&lt;/span&gt;</text>
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                <text>Conway Hall Ethical Society</text>
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              <text>Demonology and Devil-lore</text>
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              <text>Place of publication: [London]&#13;
Collation: Unnumbered page ; 23 cm.&#13;
Notes: From the library of Dr Moncure Conway. A short review of Moncure Conway's work 'Demonology and Devil-lore' from 'The Bookseller, February 1st, 1879. Reviewer not named. Printed in double columns. Bottom of page torn off but does not affect the text of the Conway review.</text>
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